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・ Tony P. Mardesich
・ Tony P. Moore
・ Tony Pabón
・ Tony Pacheco
・ Tony Pacheco (rugby)
・ Tony Packard
・ Tony Packo's Cafe
・ Tony Paget
・ Tony Pagone
・ Tony Paige
・ Tony Paige (boxing)
・ Tony Pajaczkowski
・ Tony Palacios
・ Tony Palermo
・ Tony Palladino
Tony Palmer
・ Tony Palmer (American football)
・ Tony Palmer (bishop)
・ Tony Palomo
・ Tony Pamphlett
・ Tony Panhuyzen
・ Tony Pape
・ Tony Papenfuss
・ Tony Parenti
・ Tony Parisi
・ Tony Parisi (software developer)
・ Tony Parisi (wrestler)
・ Tony Parisse
・ Tony Parker
・ Tony Parker (author)


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Tony Palmer : ウィキペディア英語版
Tony Palmer

Tony Palmer (born 29 August 1941 in London)〔(IMDb: Tony Palmer ) Retrieved 24 September 2011〕 is a British film director and author.〔''The Telegraph'' UK 13 September 2009 South Bank Show review, The Last Bastion of Civilization on ITV. S. Heffer.〕 His work includes over 100 films, ranging from early works with The Beatles, Cream, Jimi Hendrix, Rory Gallagher (''Irish Tour '74'') and Frank Zappa (''200 Motels''), to his classical portraits which include profiles of Maria Callas, Margot Fonteyn, John Osborne, Igor Stravinsky, Richard Wagner, Yehudi Menuhin, Carl Orff, Benjamin Britten and Ralph Vaughan Williams. He is also a stage director of theatre and opera.
Among over 40 international prizes for his work are 12 Gold Medals from the New York Film Festival as well as numerous BAFTAs and Emmy Awards. Palmer has won the Prix Italia twice,〔Winners 1949–2010 () accessed 20 November 2010〕 for ''A Time There Was'' in 1980 and ''At the Haunted End of the Day'' in 1981. He is a Fellow of the Royal Geographical Society, and an honorary citizen of both New Orleans and Athens.
==Background==
From Cambridge University (where he was also President of the Marlowe Society), he joined the BBC. Following an apprenticeship with Ken Russell and Jonathan Miller, Palmer's first major film, ''Benjamin Britten & his Festival'', became the first BBC film to be networked in the United States. With his second film, ''All My Loving'', an examination of rock and roll and politics in the late 1960s, he achieved considerable notoriety.
In 1989, he was awarded a retrospective of his work at the National Film Theatre in London, the first maker of arts films to be so honoured.

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